︎

Adam Hines-Green




in practice

pro standards

a more domestic feel

here’s to us

wolff’s law

malignant potential

meantime
conditions of engagement

pure horror

portfolio review

room for grays again
merely my views
between support and restraint
forms of prolonging
a digestive tract
on describing surface features
home_video_entertainment
you show all the signs





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© 2025





Self-Determination: A Global Perspective, at IMMA, review, Art Monthly, February 2024

Lutz Bacher: AYE! at Raven Row, review, Art Monthly, December/January 2023-2024

Sara MacKillop: Separate Volumes, at Ginny on Frederick, review, Art Monthly, October 2023

Grace Schwindt: Defiant Bodies, at Kunstmuseum St Gallen, review, Art Monthly, February 2023

Marcus Coates: The Directors, Artangel, review, ArtReview, October 2022

Alice Theobald: IL Y AURA (There will be), at South London Gallery, review, Art Monthly, April 2022

David Medalla: Parables of Friendship, at Bonner Kunstverein, review, Art Monthly, December/January 2021-2022

Peggy Ahwesh: Vision Machines, at Spike Island, review, Art Monthly, November 2021

Kerry Tribe: Standardised Patient, at Wellcome Collection, review, Art Monthly, July/August 2021

Steve McQueen, at Tate Modern, review, Art Monthly, May 2020

Leslie Thornton: Ground, at Kunstverein Nürnberg, review, Art Monthly, April 2020

Sung Tieu, profile, Art Monthly, February 2020

Letter From Rabat, report, Art Monthly, December/January 2019–2020

French & Mottershead: Woodland, at the Ballad of Peckham Rye, review, Art Monthly, November 2019

Richard Billingham: Ray & Liz, review, Art Monthly, May 2019

Bank-Basement-Becker (Julie Becker: Federal Building With Music), online, Art Monthly, winner of the Michael O’Pray Prize 2018