Self-Determination: A Global Perspective, at IMMA, review, Art Monthly, February 2024

Lutz Bacher: AYE! at Raven Row, review, Art Monthly, December/January 2023-2024

Sara MacKillop: Separate Volumes, at Ginny on Frederick, review, Art Monthly, October 2023

Grace Schwindt: Defiant Bodies, at Kunstmuseum St Gallen, review, Art Monthly, February 2023

Marcus Coates: The Directors, Artangel, review, ArtReview, October 2022

Alice Theobald: IL Y AURA (There will be), at South London Gallery, review, Art Monthly, April 2022

David Medalla: Parables of Friendship, at Bonner Kunstverein, review, Art Monthly, December/January 2021-2022

Peggy Ahwesh: Vision Machines, at Spike Island, review, Art Monthly, November 2021

Kerry Tribe: Standardised Patient, at Wellcome Collection, review, Art Monthly, July/August 2021

Steve McQueen, at Tate Modern, review, Art Monthly, May 2020

Leslie Thornton: Ground, at Kunstverein Nürnberg, review, Art Monthly, April 2020

Sung Tieu, profile, Art Monthly, February 2020

Letter From Rabat, report, Art Monthly, December/January 2019–2020

French & Mottershead: Woodland, at the Ballad of Peckham Rye, review, Art Monthly, November 2019

Richard Billingham: Ray & Liz, review, Art Monthly, May 2019

Bank-Basement-Becker (Julie Becker: Federal Building With Music), online, Art Monthly, winner of the Michael O’Pray Prize 2018



Text to accompany Rob Branigan’s solo exhibition Tie Me to the Earth at The Amber Room, Margate

Text to accompany John Hodgkinson’s solo exhibition The Agency at Gratin, New York

Text to accompany Hassan Kurbanbaev’s solo exhibition Logomania: Owning the World at Half Price, at Micki Meng, San Francisco

Text to accompany Paul Chapellier’s solo exhibition Old, Possibly Antique at SEAGER, London

Text to accompany Katarina Sylvan’s solo exhibition Somewhere Along Those Lines at Intersticio, London

Text to accompany Sung Tieu’s solo exhibition What is your |x|? at Emalin, London